Nuart Aberdeen 2022

Everything you need to know about Aberdeen's street-art festival

Organisers of Aberdeen's street art festival Nuart Aberdeen have announced the full line-up for the 2022 event. 11 international artists will descend upon the city in early June. They'll aim to create art that will invoke connections between people and the city.

The first Nuart festival was staged in 2001 in Stavanger, Norway. Under the direction and curation of its founding director Martyn Reed. His mission is to bring art to the masses.



Nuart Aberdeen 2022 Reconnects

"RECONNECT" is the theme of Nuart Aberdeen 2022. Its a response to the disconnection and uncertainty that have characterized the past two years of social isolation and lockdown. Martyn hopes that Nuart Aberdeen 2022 will help to alleviate the stress that has become a part of our everyday lives.

He told us “We have connected with artists, academics and industry professionals from across the globe to explore and present the very best that this culture has to offer for Nuart Aberdeen.

“I think the theme of ‘Reconnect’, is pretty self-explanatory. We're aware of the connections we've stretched to the limit or lost during two years of pandemic and enforced isolation. If art presented in a festival format is good for anything, then it's making connections. Art to people, people to place, to the city, to each other, across borders, genders and race.

"At the very least, I'm hoping it inspires someone to pick up the phone and call their mum. I'd consider that a win.”

Nuart Aberdeen 2022 Tours

Nuart Aberdeen has also announced the return of their popular street-art tours. Due to the large number of work now on display throughout the city, they have now split these into two separate tours. The west end tours and the east end tours will begin in late May.

Over the two-hour long tours, you'll hear about the artists behind the murals, and what inspired them. The expert tour guides will also share all the behind the scenes stories about how the works were created. Tickets can be bought on the day from the guides and also from the Eventbrite website.

Who are the artists?

So below is the full list of artists for Nuart Aberdeen 2022. We've included links to their websites and social media channels, so you can explore their work further. Enjoy!

Martin Whatson

Martin Whatson

Included in the lineup of inspiring national and international street artists is Norwegian street artist Martin Whatson. You may remember him as the artist who created a mural on Queen Street as part of the first-ever street art festival in 2017.  His mural, featuring a golfer was hugely popular with the crowds. A few locals were also given the opportunity to create their own graffiti tags as part of his creation.

James Klinge

James Klinge

Also in the artist lineup is Scottish stencil artist James Klinge. He was born in Glasgow, where he continues to live and work. His work is primarily figurative using intricate and detailed hand-cut stencils as the foundation of the process. Yet he describes the process of his paintings as controlled chaos. It is difficult to see that his paintings begin from stencils. His complimentary blend of intense detail with expressive strikes from his palette knife. He brings abstraction to his paintings by attacking the canvas.

Pejac

Pejac

The global appeal and influence of the festival is demonstrated by the inclusion of Spanish artist Pejac who will make a rare appearance as part of the event.  Pejac mainly paints with black to create silhouetted figures and shadows but sometimes uses splashes of colour to show them in a smart and poetic manner in both playful and serious scenes. His creations have enchanted audiences around the world and it’s a real coup to secure his place in the 2022 lineup.

Nuno Viegas

Nuno Viegas

Portuguese artist Nuno Viegas was originally on the artist lineup for the cancelled 2020 edition but secretly visited the city as part of a ‘lockdown edition’.  His clean and minimal work draws on traditional graffiti for inspiration.  Nuno is looking forward to returning to the city and told us “We are finally going to make it happen! 2020 was marked by the Lockdown Edition after covid ruined our plans and stopped us all from travelling. It feels great now to join the Nuart Aberdeen family in person once again for the Aberdeen jam!"

Jofre Oliveras

Jofre Oliveras

Explorer, landscaper, and activist. Jofre Oliveras uses art as a communication tool with a social focus. The main location for his work is in public space. His community-based and self-sufficient lifestyle led him to become part of Konvent, a cultural and artistic community organised residency space. He has produced works and organised events with an international trajectory in the muralism sector and as a realist painter.

Mohamed L'Ghacham

Mohamed L'Ghacham

Painter and muralist Mohamed L'Ghacham was born in Tangier (Morocco) and based in Mataró (Barcelona). Always interested in the Plastic Arts, he discovered the world of graffiti and years later he started to be attracted by Classical painters and the language they use. His work is mainly figurative with a realistic aspect and Impressionist touches. He creates scenes from everyday life happening around him.

Slim Safont

Slim Safont

Nil Safont was born in Berga (Barcelona) and graduated in Fine Arts from the University of Barcelona. He is a muralist and painter, mainly interested in urban art and interventions in public space. His works are large-format paintings that use the walls of the streets as canvases. He works on topics closely linked to the different daily lives he discovers in the social contexts where he works.

Erin Holly

Erin Holly

An artist who paints indoors on canvas and activates public spaces with her murals. She has also implemented and curated a DIY art venue called the Abacus and a street art project in Cardiff Wales called Empty Walls between 2013 and 2015. Erin seeks collaborations in and around the LGBTQ+ community and is an activist for trans rights. She lives and works in London, UK and studied at the City and Guilds School of Art, London.

Elisa Capdevila

Elisa Capdevila

Barcelona based muralist Elisa Capdevila began her artistic career began in 2014 when she studied painting and drawing in a traditional school in Barcelona. She started painting murals during that time, first as a mere exercise where the canvas was replaced by a wall, later realising its broader possibilities and deciding to focus her personal work around these larger-scale projects.

Jacoba Niepoort

JACOBA

Copenhagen-based muralist Jacoba Niepoort is a muralist who has been painting in the public space since 2009. Scale is a personal obsession, and the streets are often her playground because they are where everyday people move. JACOBA’s work is grounded in her belief that connectedness facilitates a better understanding of self and others, and is a powerful tool to address and change current social issues.

Miss.Printed

Miss.Printed

Norway based Miss.Printed is sure to delight and surprise with her delicate miniature paper collages which she will place in the streets. She photographs her collages on location under adverse conditions. She loves to combine paper elements and their predators: water, fire, snow, wind and sky. In an urban environment, she leaves her papercuts behind for others to reflect upon.

Transforming the streetscape

Brought to the city by Aberdeen Inspired and Aberdeen City Council, the multi-award-winning Nuart Aberdeen has transformed the streetscape of the Granite City. Commenting on the return of the festival, Adrian Watson, Chief Executive of Aberdeen Inspired said “At its heart, Nuart Aberdeen 2022 is all about connecting people with the city through the art that is created by the talented street artists which the festival draws.

“Nuart Aberdeen has helped put the city on the map in terms of its cultural offering and it has changed the face of the city since it first began in 2017. Over the years we have played host to groundbreaking street artists and delivered projects that have involved participants from all walks of life. We are excited to see what people make of this year's programme of events.

Aberdeen City Council is a key funding partner for the festival. Council Leader, Jenny Laing told us “The city is delighted to welcome back Nuart Aberdeen. I expect residents and the public at large will be excited by the announcement that the festival is back and the lineup of artists.”

When is Nuart Aberdeen 2022?

Nuart Aberdeen takes place from 9-12 June 2022. News on the UK’s leading Street Art symposium with creative professionals and academics from across the globe will be announced in the coming weeks. Also a few other very special announcements.

There will also be a full programme of public events and tours during the festival weekend.

https://postabdn.com/event/nuart-aberdeen-2022/

Nuart Aberdeen 2022 announced

Nuart Aberdeen 2022 has been confirmed for this summer and will be held on 9-12 June. Once again, the city and its walls will serve as the canvas for world-class street artists.

The streetscape of Granite City has been transformed by Nuart Aberdeen over the last four years. More than thirty street artists, hailing from the USA, Europe, Australia, South America and the UK, painted stunning works of art. The city's walls, pavements, billboards and even potholes have transformed the city centre into an outdoor art exhibition featuring everything from golfers to leopards.



The event began with the production of the first mural by Herakut at the Green in 2017. It was an iconic piece and many people were heartbroken when developers tore it down over the past month. All the way up to the remarkable mural Helen Burr painted on the gable end of the Meridian building on Union Row last summer, portraying a couple and their baby. People are hugely attracted to the art and consider it part of the city. It's expected that the murals from Nuart Aberdeen 2022 will have an equally big impact.

It's been a rough couple of years

Martyn Reed directed and curated the first Nuart festival in Stavanger in 2001. His goal has always been to make art accessible to everyone.

Martyn commented, "It's been a rough couple of years. Having to cancel the 2020 edition a month before the launch was absolutely demoralising. The team had worked so hard getting plans into place with so many local businesses, partners and volunteers. But this paled into insignificance compared with the challenges we all faced individually and collectively as the reality of the pandemic became clear. I think many of us, cities included, became more insular. Siloed and focused on getting through a major global crisis.

“But even through all of this, we managed to stay connected to friends. Our extended family and network in Aberdeen, was always more than "business". Returning to "reconnect" was always a light at the end of the corona tunnel. I can't adequately express how happy we are to be back amongst those friends and family who kept things moving through 2020 and 2021.

Bring something special back to a city we regard as home

“We've asked the artists and guests to consider this theme of "Reconnect" for 2022. Reconnecting with each other, public space, dreams, and hope for the future. Hopefully, Nuart Aberdeen can help in easing some of the collective anxiety we've all been feeling these past few years. We can bring back a sense of community. I don't want to make any grand claims about art’s place in the grand scheme of things. We’d just like the people of Aberdeen to know we're going to do our best to bring something special back to a city we regard as home."

The festival weekend will feature a full line-up of street art productions. It' will be back with events, community workshops, creative spaces, talks, conference programmes, and tours. It’s shaping up to be the most exciting festival to date.

The city centre is expected to be flooded with thousands of people throughout the weekend. They'll be able take in the murals and installations created by the artists. And also enjoy all that is on offer as part of the festival experience.

The finest internationally acclaimed street artists

Commenting on the return of the festival, Adrian Watson, of Aberdeen Inspired said “Nuart Aberdeen is a festival unlike any other seen in the city. It has a mass appeal and inspires people of all ages to enjoy art in their own way at their own pace.

“We are delighted to bring the festival back to the city centre this year. Locals and visitors can expect to see work from some of the finest internationally acclaimed street artists.

“Nuart Aberdeen has firmly placed Aberdeen on the global stage as a destination of choice for street art enthusiasts.  This coupled with our developing food scene, café culture, reopening of Union Terrace Gardens, superb theatres, clubs and pubs and other attractions all help to position Aberdeen as a great place to live, work and visit.”

Walls are critical to making Nuart Aberdeen 2022 a success.  Organisers at Aberdeen Inspired are appealing to property owners to become part of the event. They can put forward potential walls for artists to make their own during the festival. In particular, they are still on the hunt for a few big external city centre walls in good condition, visible to the public and not granite or listed.

To submit a wall, please send an email to callforwalls@aberdeeninspired.com with the following information: a photo of the wall, address and approximate dimensions of the wall.


SPECTRA is returning to Aberdeen!

Festivals

SPECTRA is returning to Aberdeen!

By Kevin Mitchell

We are incredibly excited to share that SPECTRA will be returning to Aberdeen in 2022! Scotland’s festival of light creates a stunning lightscape across the city and brings with it four days of family-friendly fun to Aberdeenshire, taking inspiration from Scotland’s Year of Stories in 2022.

SPECTRA opens in Aberdeen from Thursday 10th to Sunday 13th February and will once again light up the winter nights in Aberdeen. This festival of light encourages you to get out and experience the interactive light sculptures, architectural projections and film to create new ways of exploring the city.

They will appear in Marischal College, Union Street, Broad Street, Upperkirkgate, Schoolhill, Marischal Square and also in Scotlands award-winning ‘Best Building‘, Aberdeen Art Gallery.

Having spent so much of our time tucked away indoors or navigating public spaces with care, SPECTRA presents itself as the perfect event suitable for friends and family alike to safely get together, and with both indoor and outdoor spaces it also sets up Aberdeen as the ideal destination for both visitors and staycationers to come join us in 2022.

SPECTRA is an event for all the family!

Free, family-friendly and interactive makes SPECTRA the perfect event for all the family. Our advice is to check the weather, dress appropriately and everyone gets ready to unlock their imagination!

Find out the latest information on the SPECTRA website.
www.spectrafestival.co.uk

We’re truly excited to welcome audiences back to the city centre …

– Cllr Marie Boulton, Aberdeen City Council Culture Spokesperson

Cllr Marie Boulton, Aberdeen City Council Culture Spokesperson said: “I can’t think of a better way to kick off Aberdeen’s 2022 cultural programme than with Spectra, Scotland’s festival of light. Cities are spaces that thrive when people are walking the streets together and enjoying events like Spectra, so we’re truly excited to welcome audiences back to the city centre after a very difficult couple of years dealing with the impact of the Covid-19 pandemic.”

We can’t wait to attend SPECTRA, it’s up there as one of our favourite cultural events in the city and we love seeing the streets filled with people, couples, friends and families as they take it all in!

For now, check out our video from the last time SPECTRA visited us here in Aberdeen.

SPECTRA 2020 was themed around the coasts and waters of Scotland, bringing light and giant artistic wonders to the city of Aberdeen. Check out our video!

SPECTRA
Scotland's Festival of Light

SPECTRA, the festival of light is a wonderfully visual experience for all to enjoy. Check out some of the photographs from previous events!

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What legacy will BAS9 leave the people of Aberdeen?

British Art Show 9 (BAS9) finished its run at Aberdeen Art Gallery this weekend. And so, gallery staff will carefully pack up the show for now. Then soon, organisers with ship the show to Wolverhampton for its next leg. It has faced challenges over the past few months, opening during a global pandemic doesn't help. The themes of healing, care and reparative history have maybe not always been obvious to a public with Brexit and Covid-19 weighing heavily on their mind. However, the work was bold and undeniable.

We wanted to speak to a few people about BAS9. Have a think about what legacy we hope that the show will leave our city. It costs us a lot of money to put on grand shows like this in Aberdeen. I think it's reasonable for us to expect a lasting legacy. Artists, fans, local venues and the city's communities should feel we have all gained something permanent from our experience.



What legacy should BAS9 leave?

Artists and fans should feel a greater connection with Aberdeen Arts Gallery. Smaller galleries should see a surge in interest from a public keen to see more modern art, particularly from local artists. Communities should feel seen and included by the gallery. A gallery that in earlier years may have not found the need to reach out.

One of the things that we've enjoyed is being part of is the community of ambassadors for BAS9. Not everyone loved everything about the show. We loved the video and documentary work, but it's been brilliant to talk to talk to other ambassadors about their views. We've all had very different experiences of the show, and that divergence has been fascinating. It feels like the beginnings of something very exciting in the city. A group of people confident enough to say what they like about art. But perhaps more interestingly, to enjoy hearing others speak about their experience. This should not be wasted.

Reema Shoaib

First of our contributors is Reema Shoaib. Reema runs ChaiTime a Facebook community which she created to build inclusivity in arts and the creative industry between Britain and Pakistan. It was amazing to hear her experience. She was able to use the work of artists from minority communities from the show to engage with some of Aberdeen's communities.


The British Art Show 9 exhibition commenced just when Aberdeen was waking up from the hibernation of the Covid-19 pandemic. BAS9 is perhaps the biggest thing to happen in the city, since the lockdown. Aberdeen is the only Scottish location, and also the host city selected to launch the tour. The prestige of the exhibition along with the theme of contemporary art exhibits, something never before seen at this scale in Aberdeen, all garnered interest and curiosity from locals. I am truly honoured to play my part part in the Ambassador’s group. It was wonderful that Aberdeen Art Gallery and Museum’s City Coordinator recruited me for the show.

ChaiTime founder and BAS9 ambassador Reema Shoaib

My list of tasks included creating a collaboration and understanding for the show within the ethnic communities and foreign nationals living in Aberdeen. A city that houses the highest number of ethnic minority communities than any other city in Scotland. I view this task as a nod to the council’s Cultural Strategy 2018-2028 of creating engagement in arts and culture that truly reflects the cultural diversity of Aberdeen.

My job was made easier by the sheer magnitude of the exhibition. Couple this with the fact that I was promoting something backed by the City Council and the Art Gallery. Furthermore, it had names attached to it like Hayward Gallery Touring. Finally the honour that we were the first city to host the exhibition. This all joined together to make a compelling case to take to Aberdeen's communities.

Sharing with all Aberdeen's communities

There were 33 artists in the show at Aberdeen, presenting a mix of film, photography, painting, sculpture and live performances. Another significant factor of BAS9 was the healthy inclusion of international work as well as artists from minority communities living in the UK. The knowledge that people can view art work from their own region or community upped the interest of our local communities. It definitely encouraged them to come and enjoy the exhibition.

The knowledge that people can view art work from their own region or community upped the interest of our local communities
Reema Shoaib

The fact that the exhibition was free to view was an essential difference. BAS9 had no tickets attached, except to check-in with the QR Code as per the safety guidelines. I feel that also helped motivate people to easily come and check it out.

BAS9 has indeed proven to be a source of inspiration for most of the city’s arts and cultural activities, now and moving forward. Already we can see the offshoot in the form of the splendid LookAgain series Beyond BAS9. This is a series of events, workshops, exhibitions, talks and tours all taking the art scene forward.

The legacy of BAS9 will and should converge into more such activities and people. Additionally, Aberdeen Art Gallery should keep in touch with the communities jolted by the show. There should be more reaching out to them through such engagements. Contemporary art shows are definitely something new to the city. However, in my opinion, the people of Aberdeen have graciously accepted this opportunity. The gallery should develop this interest further.

Rita Kermack

Next up we hear from Rita Kermack. Rita is an artist, graduate of Gray's School of Art and a member of the Aberdeen Artists Society. She thinks that the last three months have proven that Aberdeen is well able to host massive shows like the British Art Show.


One of the successes, in my opinion, was the network of support and associated events that were organised on the local level. The fact that this was possible shows that Aberdeen’s art and culture scene is alive and active. Despite this, the city is often referred to as a cultural desert by those who are not directly involved in the various initiatives. There is a lack of visibility. A lack of presence on a day-to-day basis, compared to what’s going on in Dundee for example. The engagement with BAS9 has brought the various agencies into the foreground. It has made them more visible to the general public. Hopefully, BAS9 is a catalyst for further growth in that direction.

Artist and BAS9 ambassador Rita Kermack

In terms of visibility, BAS9 has encouraged us all to come together to collaborate, support and debate. Some of that had been going on already in the background but having this common focus, maybe, added strength. A stronger network and mutual support amongst AAGM, collectives, agencies and individuals as well as Gray’s School of Art and NESCOL has been built. This could advance the creative industries in the city and shire to a level that attracts not only visitors but also sponsors.

Hosting prestigious exhibitions on a frequent basis can create a fertile environment for art education in the city and shire
Rita Kermack

Hosting prestigious exhibitions on a frequent basis can create a fertile environment for the art education in the city and shire. Collaborations with Gray’s School of Art, NESCOL and schools will help raise the profile and recognition of art and design as a valuable career path within the Northeast. This is necessary to grow the creative industries here. To provide jobs to encourage new graduates, emerging and early career artists to stay in the city.

The ambassador program

The ambassador program created many varied opportunities for community members and local artists. I was able to be involved and get to know the people behind AAGM. This experience gave me a great boost, having just graduated from Gray’s. Also, the work experiences I gained are invaluable.

Reaching out to communities in such a personal, tangible way will break barriers. It will promote the gallery as an interactive place for learning and exploring. A place for everyone.


We're adding more to this article soon

We'll be adding thoughts from more people over the next few days. Follow our social media channels for updates. If you would like to read more about British Art Show 9 and where it's going next, you could check out the exhibition website.


We Are Here Scotland in the spotlight

Back in late 2020, we interviewed Aberdeen creative and podcaster Ica Headlam. He had just established We Are Here Scotland, a creative fund designed to practically support creative people of colour (POC) throughout Scotland.

Nearly a year later, having achieved funding through a successful GoFundMe campaign, We Are Here Scotland are just about to close applications for their first round of funding of creatives. We wanted to chat to Ica further about We Are Here Scotland. We wanted to know the background behind the fund, some of the challenges he has faced, and what he can offer creative people of colour. As always, Ica was keen to share his experience.



What is We Are Here Scotland?

Tell us a little about We Are Here Scotland. How did the idea came about and develop into a real life fund?

The idea for We Are Here Scotland came from my experiences of presenting Creative Me Podcast. And also, of course, being a person of colour here in the north east of Scotland.

Being born in the early 1980's I've always recognised the importance of representation. However I didn't see much of that in Scotland across the artistic and creative industries. I wanted to create something that not only allowed for there to be recognition of black and POC artists and creatives, but also as a means of supporting the community in practical ways too. This is where the Creator's Fund comes into play.

I had numerous private conversations and a number of Instagram Live events. After that it became very clear to me that many people in the community needed help. Both in terms of funding and practical support. However, getting this from larger organisations always seemed like such a daunting and monumental task.

Bearing that in mind, I felt that there should be a fund that not only made it easier for people to apply for, but also provided some follow through in terms of practical support via mentoring and guidance from industry professionals to help those who are awarded funding.

What are some of the challenges you've faced in launching the fund?
Well we launched the fund in mid-November last year whilst still in the pandemic. Given the climate it was a slow burn, however we eventually reached our target of £6000 in June this year. Recently that amount has grown to £7,490. This has allowed us to support more black and POC artists and creatives across Scotland.

What advice would you give to creatives of colour starting out just now? In particular, advice about raising funding and dealing with the challenges that their industry may throw their way?

With regards to funding, I think it's important to explore all the viable options available to you as a creative. It's about finding out what opportunities are happening in your local community as well. For example, does your local authority have funding opportunities for creatives? Is your local art space/gallery looking to commission artists etc?

In terms of the challenges you may encounter? For me I always find that it's important to have a good support network around you. This industry isn't easy to navigate. Over the past year I've heard from people in my community who have had horrible experiences within Scotland. So, I would say it's also important to hold people accountable. We can't minimise problematic attitudes and behaviours in the hope that it'll all be forgotten about. Especially in the current climate.

Systemic misrepresentation in the arts

Do you think there's a genuine willingness within Scotland's creative industries to actually stamp out their systemic representation problems once and for all?

Well I'd like to think so. But the past year has shown me that within Scotland's creative industries the conversation of representation and systematic change can easily turn into a tick box exercise. It's becoming on trend now for some predominantly white led businesses and organisations to be seen to be amplifying black and POC voices. The thinking is in doing this, organisations show evidence to potential funders that they are actively engaged with supporting the community.

In all honesty I do think that some people prefer the status quo of things. Some people don't want to be challenged. They don't want to reflect on certain issues that requires them to actively engage in meaningful conversations or progressive thought.

Is there anything people working in creative industries can do to pressure their organisation to be better?

I think people need to be more vocal about the systemic issues within the creative industries. However, it shouldn't just be black and POC doing this all the time.

I think we have gotten into this mindset in society that if it doesn't personally impact on you or your mental health then do you really need to say anything. Yes ,you absolutely do need to challenge and hold people accountable especially in this industry. People need to ask important questions within their organisations. Ask about meaningful representation and what that can look like for marginalised groups.

Who in benefiting?

Who are some of the creatives that you have helped? Tell us a little about them and the work they do.

When I first started We Are Here Scotland. I used to do a lot of Instagram story shout outs. We've given this a little more structure with a spotlight feature on our website. This feature will introduce people to a number of talented artists and creatives across Scotland. The first artist in our spotlight is the acclaimed Scottish-Caribbean poet and performer Courtney Stoddart. You can check out her interview here.

What are your future plans for WAHS?

We have a number of projects that I'm really excited about beyond the Creator's Fund. Hopefully we'll be in a position to secure funding to develop these projects. We ant to provide more opportunities for black and POC artists and creatives in Scotland.

The Creator's Fund is still live until Sunday 31st October at 11:59pm you can apply for the fund here: https://www.weareherescotland.com/creators-fund


Thank you so much to Ica for again taking time to talk to us. He has a special ability to focus on his project and achieve his lofty goals. That has always been an inspiration to us here at POST, so it's great to catch up with him again.

We Are Here Scotland | Find Out More

You can fine We Are Here Scotland at a number of places around the web. Please go follow them to stay up-to-date on their progress.

We Are Here Scotland | website | Twitter | Instagram

We also very much enjoyed this episode of Just a Chat With...Ica Headlam

https://youtu.be/7sI4vD0oO5Q

Clan announce Light the North farewell weekend

Organisers of the Light the North Lighthouse Trail have put tickets on sale for their Farewell Weekend. Gordon Barracks in Bridge of Don will play host to the event on 29-31 October. Trail adventurers will then get one last chance to see all 50 of the lighthouses, along with the 90 little lighthouses. The lighthouses have been painted by school kids, community groups and artists. After the final event, organisers will auction the sculptures to raise money for Clan Cancer Support.



Booking Details

Bookings are available for a 90 minute slot on each day:
Friday 29 Oct 10am – 5.30pm (last admission 4pm)
Saturday 30 Oct 10am – 5.30pm (last admission 4pm)
Sunday 31 Oct 10am – 4.30pm (last admission 3pm)

Tickets are £5.00 per adult (age 18 and over) and £3.00 per child (age 17 and below) plus online booking fees. You can purchase them at www.lightthenorth.co.uk/event/farewell-weekend/

*There is a quiet hour on Sunday 31st October from 10am – 11am. Organisers will play no music throughout the event site. This will make it suitable for adults and children with specific sensory needs.

Lighthouse sculpture sitting on grass with the Aberdeen skyline and blue skies in the background. Painted on the lighthouse is a sailing ship in heavy seas.
Light the North lighthouse by Glen Brooks at Greyhope Bay | Photo by Chris Sansbury

Fiona Fernie of Clan and Light the North

Fiona Fernie is Clan's Head of Income Generation and Business Development and Project Director for Light the North. She said “We can’t quite believe we are almost at the end of the ‘Light the North’ trail which culminates in our ‘Farewell Weekend’ and then our auction. North-east people have taken the trail to their hearts and been so involved in visiting all 50 lighthouses across Aberdeen, Aberdeenshire, Moray, Orkney and Shetland. These lighthouses, designed and painted by professional, emerging and as yet undiscovered artists. They've shone their lights across the north east for 10 weeks. The have encouraged people to explore and discover the region like never before.”

Our North-east adventurers have shared their personal stories and photographs, which has been a joy to see.
Fiona Fernie

Fiona continued, "The ‘Farewell Weekend’ is a special event which makes it accessible for those who may not have had the opportunity to visit all the sculptures and gives them one last chance to be able to tick them off their list when they visit - whether that’s via the Lighthouse Trail app or in their sticker book. Each visitor will have a 90 minute slot to visit, take selfies and collect their final lighthouses."

Fiona concludes, “We want to take this opportunity to thank the amazing team at Wild in Art for partnering with us on the trail, the talented artists who created these bespoke and poignant sculptures and to our sponsors for their generosity and making this all possible. Last but not least to the people of the North-east - individuals, couples, families, businesses, schools and not forgetting the pets who have got out there, visited the trail and made a real difference.”

Charlie Langhorne from Wild in Art

Charlie Langhorne from Wild in Art also commented on Light the North. He said “Events like this can’t happen without the dedication of the local charities we partner with. Certainly not forgetting the artists who create these wonderful pieces of art as well as the generous sponsors. The success of this trail is testimony to the hard work and commitment from the team of staff and volunteers at Clan. They've battled through a pandemic to bring this amazing spectacle to the north east. Please support this wonderful local charity by attending the farewell weekend and bidding at the auction. This will help them continue to support the people in your communities who need Clan the most.”


More About Post Aberdeen

Kevin Mitchell and Chris Sansbury founded POST from a desire to cut through the noise to share the great things that happen in Aberdeen. They focus on community, culture and the interesting people of the city. The local artists, businesses and charities; photographers, musicians and entertainers; the people at a local level that make a positive impact on our city each and every day. Their monthly newsletter, Your Aberdeen, takes a look at what's been going on in the city from all different angles.

The goal is simple. To use video, audio, writing and social media to amplify the voices in our community, and to ultimately give a platform to Aberdeen folk to engage and tell their own stories.

Recent work includes interviews with Paralympic gold medalist, Neil Fachie; Chef, an Aberdeen rapper who is pushing for success; an article by film director Mark Stirton abut the state of high-rise buildings in the city; coverage of Nuart Aberdeen and TEDx Aberdeen, as well as coverage of British Art Show 9. Visit postabdn.com to read a great selection of interviews and articles.


British Art Show 9 - Asking big questions

British Art Show 9 has been at Aberdeen Art Gallery for over a month now. Many of you will have been to visit, while many others have not. Some will love it, others may not. One thing is for sure, though. It’s undeniable. It’s asking pretty big questions of its audience on its themes of healing, care and reparative history, and it’s not afraid what we might say in reply.

So let’s have a look at the show. I really wanted to find out what BAS9 tells us about modern Britain.

Heads up here. I’m going to use the word ‘works’ here a lot when speaking about the art generally. It’s not a perfect word, but in a show that contains paintings, photographs, sculpture, video, soundscapes and many more besides, it’s as good a capture-all word for the art as any other.



https://youtu.be/bcJMh6qrkk8

The first visit

I was lucky enough to visit on opening night, but I have to admit I was left feeling a little disappointed. I felt that what I was seeing was a cut and paste. Pre made work dropped into a space that was seemingly not expecting it. I wondered if the artists hearts were really in this post Brexit, mid pandemic exhibition. What story are the artists and curators were telling me, either in individual works or the show as a whole? I left Aberdeen Art Gallery feeling a little flat.

But I saw it. I saw it with a small crowd, faces covered apart from their eyes and I realised this isn’t how I enjoy art.

Finding the right time

Like many in Aberdeen, I think my big art event every year has become Nuart Aberdeen. In normal years, when it visits the city, huge crowds fill the streets. I love those crowds. The delight on people's faces as they look at vast murals is intoxicating. I get out there with my camera and photograph their faces. Our city at its very best. But I actually see very little of the artwork on those big days. I save that for later. When everyone goes home I go back out to the empty streets and take in the work in my own time and headspace.

So I went back on my own at a quiet time of the day and was able to give it my full attention. Let’s have a look at the work that stood out for me.

Patrick Goddard – Animal Antics

Created for British Art Show 9, Patrick Goddard’s Animal Antics is a short film featuring a woman and her talking dog. As they talk and walk round a zoo it becomes apparent that the small smug white dog has a pretty oppressive view of the world.

It’s beautifully shot, but awkward to watch as the dog’s often detestable rants are played in part for comedy. The film feels a bit reminiscent of a ’70s sitcom but without the laughter track. However, as time rolls on, we start to see the uncomfortable link between the dog’s bigotry and the way we as a society treat animals.

At just under 40 minutes, it’s a long viewing time for an art exhibit, but well worth watching from start to finish.

Margaret Salmon – I You Me We Us | Photo by Chris Sansbury

Margaret Salmon – I You Me We Us

Glasgow based artist Margaret Salmon’s contribution to BAS9 is a 16 minute silent film shown on two stacked monitors which ‘talk’ to each other. We’re exploring affection here, and the small intimate touches and sounds we share with the people we love. It's very tender and gentle to watch. You can find yourself

The space on this work is perfect. The monitors stand in a corner but they capture people’s attention as they move from one space to the next. It’s great fun to watch couples walk past, then turn back to watch longer, to see more of the affectionate moments that Margaret Salmon has shared.

Hardeep Pandhal | Photo by Chris Sansbury

Hardeep Pandhal

Glasgow based Hardeep Pandhal’s installation grabbed me on my first visit and kept me coming back for more. He works with his mum on amazing knitted works, but his illustrations are what captured my attention, with the feel Robert Crumb of fantastical '60s stoner comics. 2Pac makes an appearance, and we take a look at how we have come to misuse the word ‘thug’.

Each time I visit I find something new about this to enjoy. Something that amuses or maybe I peel back another layer. Not only does it look great, but it really does reward you for repeated visits and taking a little time to look into Pandhal’s influences and previous works.

Marianna Simnett
The Needle and the Larynx (still), 2016
© the artist. Courtesy the artist and Serpentine Galleries, London

Marianna Simnett – The Needle and the Larynx

Another video production, Marianna Simnett films herself going through a medical procedure to lower the pitch of her voice. For the sake of art. The practice is sometimes used help young men who’s voice doesn’t settle after puberty.

We don’t normally see medical procedures like this, and Simnett uses slow motion and artistic editing to ensure that as an audience, we never flinch from seeing the disquieting procedure from start to finish. Matched with its hypnotic soundtrack, it’s an uncomfortable watch, but you can’t tear your eyes away. Of all the works at British Art Show 9, this was the one that stuck with me for days after.

It’s worth noting that The Needle and the Larynx might not be for you if you are particularly squeamish.

Aberdeen Art Gallery’s exterior view
Photo by Chris Sansbury

No wrong opinions

Fellow visitors to British Art Show 9 might notice that most of my favourite works use video as their medium. That, of course, is entirely down to my personal taste, and possibly where I am able to see beyond the surface. I can offer a little more than “that’s pretty” or “I don’t like that”.

There are maybe a handful of works on display at BAS9 for you too. Ones that you’ll be particularly taken by. Hopefully to even draw you back for repeated visits. Those works could well be different from the ones that excited me.

So what does BAS9 tell us about Modern Britain?

I think curators Irene Aristizábal and Hammad Nasar have taken a deliberately hands-off approach to an overall show message. There is no message. We aren't supposed to walk away thinking our views on this strange island we all live on have been confirmed, adjusted or derided. There's definitely a conversation to be had as to whether that was a good option.

We're supposed to walk away having maybe been moved by some exciting modern art. Beyond that, we can argue which ones we like best, and why, but British Art Show 9 is not answering questions on its themes of healing, care and reparative history; it's asking them. How do YOU feel about these things? Where do YOU stand? What do YOU care about?

What do you need to know?

British Art Show 9 runs in Aberdeen until 10th October, before it moves on to Wolverhampton. As with almost everything at Aberdeen Art Gallery, its free but depending on current Covid19 restrictions, you may need to book a visit. My advice is take your time with the works on show. My first visit was 3 hours long and that was probably rushing it.

Where: Aberdeen Art Gallery
When: July 10 – October 10 2021
Opening Hours: Monday 10am-5pm, Tuesday closed, Wednesday-Saturday 10am-5pm, Sunday 10am-4pm 
Cost: Free

Let us know what you think of the show. As with all art, there are NO WRONG ANSWERS here.

https://twitter.com/aberdeencity/status/1430115117564375080?s=21

Gray’s School of Art Graduate Degree Show 2021

The Gray's School of Art Graduate Degree Show launches on 9 July. Sustainability is the focus of many of the students' final year projects. The show, named Onwards, is the second that the school will hold online due to the Covid 19 pandemic.

With expectations high for another year of high quality, inspiring work, Gray's reached out to tell us about some of the graduates who's work will be on display.



Tom Andrew

One of those exhibiting, is 21-year-old product designer 3D design student, Tom Andrew from Torphins. With a keen interest in the future of transport and an environmental consciousness, Tom has created ‘TEXTAM’. This is a light-weight and highly functionable skateboard that reduces the reliance on private cars.

Tom says: “I want to challenge current modes of transport. Currently, mobility in urban locations is environmentally unfriendly, congested, and unsustainable. I have created a compact and sustainable skateboard that tackles short but important journeys.  I want to challenge urban transport issues and to push micro-mobility into the future.

'Textam’ provides a practical solution to the first and last mile often needed at the beginning and end of a trip made on public transport.  While you may take a bus or train for most of your journey, your final destination maybe too far to walk onto. Microbility products such as my lightweight skateboard, Textam, plug the gaps often found in public transport routes. In turn, this will reduce the need for private cars in city centres. As a result it will make cities such as Aberdeen, greener and cleaner places to live.”

Leanne Daphne

Another student with an environmental ethos at this year’s degree show, is Communication Design graduate, Leanne Daphne Goodall. 26-year-old Leanne-Daphne recently won the Scottish Kelpie Illustration Award. In addition, Penguin Books put her in the shortlist for their Student Design Award 2021. She uses illustration to tackle the effects of climate change through a fantasy adventure story, Hollow as she explains:

“The story for ‘Hollow’ is heavily influenced by the issues we face today. For example, global warming, pollution and over consumption.  My project had to appeal and educate young audiences in a fun and engaging way. Hollow embodies the concept of a living planet and plays with the question of how we would treat Earth if we could see it as a living creature instead of a resource? I want people to see the world in a way where we can empathise with it instead of just seeing it as a resource to harvest.”

Digital 3D art with a pink background and strange insect-like objects filling the space.

Maria Laidlaw

Jewellery designer and 3D design student, Maria Laidlaw showcases a collection of jewellery. She created her work from repurposed scrap metal to make intricate jewellery. With a rich cultural heritage, Canadian born, Maria hopes to inspire other creatives to embrace sustainability in their own work. She is passionate about addressing our throw-away society.

Maria said: “I have always been quite practical and dislike waste of any kind. As a result of our times and a desire to work more sustainably and ethically, it only seemed right to me that we use materials that could be repurposed in some way. I feel very passionate about this and believe that artists and makers can be pivotal in changing social perceptions. I adore old things and take inspiration from their stories. That’s whether it's material, architectural or historical. I hope people who view my work will consider its material legacy.”

Other Highlights

Other highlights from Gray’s Digital Degree Show, Onwards, include Fashion & Textile design student, Cameron Lyall who is showcasing a unisex collection of clothing called ‘NO-PLACE’. His work was inspired by a trip to a desolate spot at Balmedie beach, north of Aberdeen. He invites viewers to go on their own reflective journey as they watch a 3-minute screening, set in a dimly-lit atrium, where they can find their own ‘NO-PLACE’.

Head of Gray’s School of Art, Libby Curtis, said: “Our students have created an exceptional body of work for this year’s digital degree show, Onwards, which we look forward to unveiling to a global audience at our launch event, on July 9. Sustainability underpins a number of our graduate projects and demonstrate how forward-thinking our creatives are.”

What you need to know

Gray’s School of Art graduate degree show, ‘Onwards’, officially launches online to the public on Friday 9 July and runs for ten days. Throughout the show, there will be a mix of talks, interactive workshops, fashion shows and music.

Visitors will be able to explore a traditional archive of artists, with a simple click through of art works, featuring audio descriptions and visual images. Organisers will give attendees the option to explore the exhibition in a more experimental way. Visitors will take part in an immersive journey, as they navigate their way through a series of 3D virtual spaces.

Robert Gordon University, Gray’s School of Art, Digital Degree Show, ‘Onwards’, has been developed in partnership with Gray’s students, Gray’s School of Art’s creative unit Look Again, which hosts a biennial festival in Aberdeen, and Aberdeen-based design agency Design and Code.


Read About Gray’s graduate Indie McCue. His gallery of animations in partnership with Look Again added a touch of couloir to Aberdeen City Centre.


Stuck Up - the Nuart Aberdeen event you can be part of

Nuart Aberdeen have called on the people of Aberdeen to be part of a record breaking new street art project. 'Stuck Up' is a worldwide collaboration which will take place in the city centre this July.

Aberdeen Inspired have earmarked a half kilometre wall for the world’s largest paste-up wall. 'Stuck Up' will feature curated pieces from a selection of Nuart artists. Partner Flying Leaps will provide archive revolutionary street art posters. The wall will also feature submissions from artists, poets and creatives from around the world.

Organisers are asking local folk to contribute to 'Stuck Up', making this a truly collaborative paste-up wall. It will run from the East Green into the Tunnels. They hope that the finished wall will the biggest of its kind in the world.

A wide angle shot of the Aberdeen Market wall where Stuck Up will be posted

Martyn Reed is Director and Founder of the Stavanger based arts organisation Nuart. He told us, “Paste Ups are more often than not regarded as an artwork in their own right. Artists usually create them in a studio before they transplant them on the streets. The practice also crosses over into notions of the more familiar fly-posting. This is when art becomes the vessel for political sentiments and social calls to action.

“In many ways, Paste-Ups demand little more than a tabletop, scissors, magazines and /or paper. They are as much related to ‘craft’ as to the rarefied world of contemporary art.

“Perhaps what the world needs right now is a less ‘stuck-up’ and judgmental look at the collective capacity of our communities to engage in shaping public space. We are returning to a more honest involvement in art as we create it within cities.

“Art can be humble while still making an impact; as much craft as high concept, while still grabbing attention and changing minds. The more accessible the initial process of making art becomes, the more likely it is to reach a wider audience.”

A crowd of people look up at the street art above
Photo by Chris Sansbury

Nuart Aberdeen will take place over the whole summer for 2021. The socially distanced event brings back the fun and colour of Nuart without crowds. In previous years people visited the city centre in one weekend.

Aberdeen inspired Chief Executive Adrian Watson commented on the 'Paste Up' project. He said, “This is an exciting opportunity for local artists, creatives, schools, poets, companies and even groups of friends or families to get involved with Nuart Aberdeen this summer."

“Classes can get together to create a poster from their school. University students can perhaps recreate some of their work in poster form. Colleagues can have fun creating a poster of unique work for the wall. Perhaps these posters reflect the challenges they have faced over the last fifteen months."

Nuart Aberdeen is all about making art accessible and open to everyone. ‘Stuck Up’ is a safe and novel way to involve local people in creating an original and unique piece of work for the city as part of this year’s production
Adrian Watson

Councillor Marie Boulton, Aberdeen City Council’s culture spokesperson, said “What a fantastic opportunity for local people to be part of Nuart Aberdeen this year. The wall, which we hope will be the biggest ‘Paste Up’ gallery in the world will be a unique piece for the city and regardless of age or ability."

"The public will create their posters and to submit them to be included. Then the team will post them alongside posters created by international artists. I’m looking forward to seeing all the submissions. It will be so interesting to see what the people of Aberdeen and the North-East say and create for the wall.”

How to take part in Stuck Up

As long as they are not massively offensive Nuart will use all submissions for the wall. As a result you can easily get involved by creating your own posters, poems, print outs, photos and collages. Send them to: STUCK UP, THE ANATOMY ROOMS, MARISCHAL COLLEGE, SHOE LANE, ABERDEEN, AB10 1AN.

The wall will be produced during the month of July 2021. Read about Indie's McCue's Look Again project.


New Look Again project to light up Aberdeen

Aberdeen's Look Again project will host a gallery of animations bringing light and colour to the city this week. The Robert Gordon Uni backed event has launched a new exhibition in its St.Andrew Street Project Space.

‘Roy Gets Sad’, features the work of Indie McCue. The Gray’s School of Art graduate has created a set of vibrant animations that explore social inclusion and acceptance. The Look Again Seed fund supports the event. In addition, they support emerging creative talent in the North East.

Robert Gordon University invited artist Indie McCue to explore their Art & Heritage Collection. His research included art pieces created by artists from Gray’s School of Art, stretching back to the 1960s. Furthermore, McCue focuses on social inclusion and the search for acceptance in society.

Artist Indie McCue says; “My  personal  experience of social inclusion and exclusion has been exaggerated by the Covid 19 pandemic, much like the general population. The pandemic has provided a new digital space for social inclusion. However, we need to work hard to be accepted face to face. Gray’s School of Art’s Look Again project has offered me support as an emerging artist. Now I would encourage everyone to come along to see the exhibition for themselves.”

“Within my work, I explore a character called Roy who embodies difference and searches for belonging and purpose only to be devastated at each step by those who judge the alternative. Roy strives to find a place of solace, fun and friendship through this series of animations that I hope people will connect with and enjoy.”

Indie McCue

The Look Again Project

You can view The Look Again gallery through the window on St.Andrew Street and it is free for everyone to enjoy. In addition, the gallery will offer the chance download QR codes and to interact with a series of computer games.

We spoke to Hilary Nicoll, Co-Lead for the Look Again Project. She said, “Robert Gordon University is committed to supporting the creative sector in the North East. In fact, this Look Again project is one way of animating vacant space in the city centre with art, design and creative projects.

Covid-19 has brought its challenges for those working in the creative industry, like others. As a result, our Look Again projects continues to support grass roots artist and our window gallery, has demonstrated that it is possible to showcase new talent in the north east.
Hilary Nicoll


Find out more

Look Again is a creative unit based at Gray’s School of Art, RGU in Aberdeen. The group hosts a range of events and exhibitions throughout the year. Furthermore, the team designed the events to connect, highlight and strengthen the creative sector in Aberdeen and North East Scotland. The group receives support from Creative Scotland and Aberdeen City Council.

To find out more about the project visit their website. In addition, check our post about the long anticipated return of Nuart Aberdeen for 2021.